Inspired by a 2022 trip to Tucson, Arizona where a group of NH high school students along with their adult companions, learned about immigration laws and policies and the lived experiences of people who live near or are trying to cross the border. Kristin Forselius and Kathleen Collins, the adult leaders of this entourage, came home from this experience and created this thought provoking exhibit – hiring me to compliment the immigration timeline with a community art project.

This is the tri-fold screen I designed to be the foundation of the art project. It is covered with hand dyed cotton fish netting.

This panel outlines the inspiration and beginnings of the time line exhibit.

Participants are asked to fill out a hang tag and attach it to the fish net.

The front of the hang tag has 6 questions to fill out. These can be about yourself/family or your ancestors.

The back has a text bubble to be filled with with one of three responses:

o A greeting of welcome in your native language.

o How did seeing the timeline make you feel?

o What would you say to a recent immigrant?

Hang tag completed at exhibit opening by a recent immigrant from China.

Here we are at the launch of this project which will be in display for several months and eventually tour New England.

The hope is that the netting will become completely covered with hang tags. These tags will be photographed and documented for project evaluation.

July 2023 - Summer Fest - Community Weaving -many hands make easy work!

This loom was custom built by a community member - designed to reflect and honor the slate quarries that ring the village.

Making the clothes pin people and details for our community weaving.

All ages and abilities engage in this project.

Just a few of the clothespin people created to add to the completed weaving.

Happy momma with her newborn baby.

SWADDLE invites the public to wrap or bind found and natural objects with donated yarn and fabric – ultimately building an installation of bound objects.

Swaddling is an act of taking care. Inspired by the work of outsider artist Judith Scott, this installation will grow as the public joins the conversation about what it means to care for something or someone. When our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world.

Included are opportunities for conversation, plus writing and drawing, binding words, stories and images as well as yarn. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

SWADDLE is inspired by the work artist Judith Scott, born with Downs Syndrome and deaf, who created over 200 wrapped works using an assortment of found objects and yarn. Her work is a profound act of caring and love.

SWADDLE will offer participants the opportunity use a variety of donated materials from recycled clothing, yarn and packing materials to discarded household items, ribbons, twigs, twine and stones. Using these materials along with personal objects and written words, people will create a swaddled sculpture, layered with meaning and metaphor. Participants will be encouraged to write or talk about their piece as part of the project documentation.

SWADDLE invites the public to wrap or bind found and natural objects with donated yarn and fabric – ultimately building an installation of bound objects.

Swaddling is an act of taking care. Inspired by the work of outsider artist Judith Scott, this installation will grow as the public joins the conversation about what it means to care for something or someone. When our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world.

Included are opportunities for conversation, plus writing and drawing, binding words, stories and images as well as yarn. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

SWADDLE invites the public to wrap or bind found and natural objects with donated yarn and fabric – ultimately building an installation of bound objects.

Swaddling is an act of taking care. Inspired by the work of outsider artist Judith Scott, this installation will grow as the public joins the conversation about what it means to care for something or someone. When our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world.

Included are opportunities for conversation, plus writing and drawing, binding words, stories and images as well as yarn. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

SWADDLE is inspired by the work artist Judith Scott, born with Downs Syndrome and deaf, who created over 200 wrapped works using an assortment of found objects and yarn. Her work is a profound act of caring and love.

SWADDLE will offer participants the opportunity use a variety of donated materials from recycled clothing, yarn and packing materials to discarded household items, ribbons, twigs, twine and stones. Using these materials along with personal objects and written words, people will create a swaddled sculpture, layered with meaning and metaphor. Participants will be encouraged to write or talk about their piece as part of the project documentation.

SWADDLE is inspired by the work artist Judith Scott, born with Downs Syndrome and deaf, who created over 200 wrapped works using an assortment of found objects and yarn. Her work is a profound act of caring and love.

SWADDLE will offer participants the opportunity use a variety of donated materials from recycled clothing, yarn and packing materials to discarded household items, ribbons, twigs, twine and stones. Using these materials along with personal objects and written words, people will create a swaddled sculpture, layered with meaning and metaphor. Participants will be encouraged to write or talk about their piece as part of the project documentation.

SWADDLE will host workshops where individuals might not have opportunities to create and share stories – soup kitchens, homeless shelters and senior centers. In addition to giving voice to underserved communities, SWADDLE will travel where art might not be expected – a school board meeting, the lunch/break room at a manufacturing site and a rest area on a major highway.

I believe that when our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

SWADDLE will host workshops where individuals might not have opportunities to create and share stories – soup kitchens, homeless shelters and senior centers. In addition to giving voice to underserved communities, SWADDLE will travel where art might not be expected – a school board meeting, the lunch/break room at a manufacturing site and a rest area on a major highway.

I believe that when our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

SWADDLE will host workshops where individuals might not have opportunities to create and share stories – soup kitchens, homeless shelters and senior centers. In addition to giving voice to underserved communities, SWADDLE will travel where art might not be expected – a school board meeting, the lunch/break room at a manufacturing site and a rest area on a major highway.

I believe that when our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

SWADDLE will host workshops where individuals might not have opportunities to create and share stories – soup kitchens, homeless shelters and senior centers. In addition to giving voice to underserved communities, SWADDLE will travel where art might not be expected – a school board meeting, the lunch/break room at a manufacturing site and a rest area on a major highway.

I believe that when our human race finds a way to care, to tend to and have empathy for others - we will begin to heal the division that defines our current world. Participation in this project is not limited by age or ability and offers an all-inclusive creative environment.

A Community Art Project that explored age, beauty, attachment and impermanence through a dishtowel and reflective writing.

Well Used, Well Loved - the 8 dish towels

In January 2016 I launched "Well Used, Well Loved" (WUWL) a long term community art project that explored age, beauty impermanence and attachment through a hand woven dish towel and reflective writing/drawing.

Eight households from England to Oregon "adopted" a hand woven linen towel to use however they wish. Every other week I sent a prompt for reflection to be recorded in a small journal that I provided.

Eight households from England to Oregon "adopted" a hand woven linen towel to use however they wish.

The eight towels went to a diverse set of households.

I encouraged the families to use the towel however they wished.

Every other week I sent a prompt for reflection to be recorded in a small journal that I provided.

One of the 8 journals where families responded to the prompts I sent.

The response to my initial call to participate in WUWL was overwhelming. Over 50 households expressed interest in taking part in the project and I only had 8 towels.

So I created a secondary project that dovetailed with the first one. This second group of ulti-mately 38 households (Maine to Arizona) wrote and drew on kozo paper (a special Japanese paper) to record their response to my prompts.

Kozo paper with response to a prompt from one of the Paper Team members.

This kozo paper was then cut into the strips and spun into thread.

Thru a hands-on workshop at my studio I taught local folks from this group how to spin their kozo paper into thread using a Japanese technique called Shifu. I created a video tutorial for those who wanted to learn to spin their paper from afar.

These two groups became The Linen Team (journals and towels) and the Paper Team (Kozo paper spun into Shifu thread).

Prompts to both groups were the same.

For example Prompt #6 was: "The materials for this project are hand woven linen and Kozo pa-per. Both are created from plant fibers, known for their absorption qualities. Absorption can also been seen as dissolving boundaries. In that light what parallels or connec-tion do you observe between your own ability to absorb, to soak up, to empathize? What connections do you perceive between your linen/paper and the action of union, of dissolving boundaries, connection? What value do these actions have today?"

In September 2016 I collected the 8 towels and the journals from the Linen Team. The towels and journals illustrate honest signs of love and use.

Using these shifu spun threads as weft I wove a whole cloth — one voice from the many lives and many words.

Well Used, Well Loved

72” by 144”

Hand dyed and woven linen, hand spun paper, embroidery thread

2017

$10,000.00

The journals, the used/loved towels and the four panel piece woven from the Shifu threads create a powerful installation illustrating the depth of this project on age, beauty, impermanence and attachment.

Detail of center right panel.

Over the months that I guided WUWL, I witnessed a profound engagement from participants. I saw a ripple effect as some shared their experience with others.

Detail of center two panels - showing the red hand spun paper thread. This thread is meant to signify the invisible connections that link all living beings - we all age and change over time. And hopefully we are all well loved.

A year long community art project that engaged over 200 people in this four part weaving that tells the story of Biddeford, past and present.

The mill building - about 4 feet wide by 40” tall.

The looms were built of out locally sourced oak by a local woodworker.

Detail of the River weaving

Detail of the river panel

A three part weaving that will be installed in a public place in Biddeford when completed.

This is the River Loom built by Peter Anthony, Wells, ME.

One panel of the pair created to illustrate the community gardens.

Detail the Community Gardens panel

The Garden Loom.

Built by Peter Anthony, Wells,ME

Weft materials - recycled fabrics.

The River Loom

Built by Peter Anthony, Wells, ME

River Loom

Custom built loom by Peter Anthony of Wells. ME.

Recycled fabrics for weft.

The Mill Building Loom

The Mill Building Loom

Built by Peter Anthony, Wells, ME

The Mill Building Loom

Built by Peter Anthony.

Weft materials - recycled fabrics.

The Garden Loom

An interactive global art project inspired by Tibetan prayer flags, Shinto paper prayers and the Buddhist concept of impermanence.

This project was design so that anyone anywhere in the world could participate by sending me a message of positive intent - written or drawn on paper, cloth or ribbon.

Messages came from all corner of the world.

Messages even came from Afghanistan, written on a torn pillow case.

Messages came for all ages of people.

Each message was read out loud in Market Square Portsmouth, NH.

These messages were then read out loud in Market Square, Portsmouth, NH.

Reading the messages.

All of the messages were read out loud - at 12 public readings in Market Square, Portsmouth, NH over 4 years.

Messages were read by community volunteers, up to 150 at some readings!

After each messages was read out loud, it was cut into strips and woven into a small prayer flag.

Weavers were community volunteers of all ages and backgrounds.

I have four looms set up in my studio for folks to weave the prayer flags.

Weaving the flags was simple - so that anyone could do it!

We had many generations of families come to weave.

Over 1,350 prayer flags were woven by community volunteers.

After the flags were woven they were sewn by a three community volunteers, so that they could be hung side by side.

After the flags were woven and sewn, there were sent out all over the world.

As the flags were completed, I sent them out to those who sent me messages.

The prayer flags are meant to be hung outside so that the messages of hope and peace can travel on the wind - in the spirit of Tibetan prayer flags.

Flags also went with friends and others to foreign lands to spread the good will.

Flags were sent to 25 foreign lands and over 33 states.

Hanging on mountain tops and river valleys.

Glacier Park, Montana.

The Gambia, Africa

At an ashram in India.

Over 1,350 flags were distributed all over the world.

Each flag was lovingly touched by many hands before it was sent out to the world.

Each flag was woven with love and good will for all.

Many of these flags are still hanging, spreading their good energy.

As the flags deteriorate, they remind us, that we too are impermanent.

May all being know peace.

May all beings be well.

HISTORY

Mandala means 'circle' in the Sanskrit language. Mandala art refers to symbols that are created in a circular design. Many cultures around the world and throughout time have used the mandala as vehicle for self expression, and spiritual transformation. Tibetan Buddhists have employed the mandala shape for thousands of years to illustrate their deities. Navajo sand painters use them in their healing rites, and the well known Native American “Dream Catcher” is a form of mandala. Many native people use the Medicine Wheel, a mandala form, to connect to earth energies and the wisdom of nature.

A Mandala is a symbol of community: the people and environment.

The shape of the circle lends an experience of wholeness. The center of the circle radiates a symmetrical design. This suggests there is a center within each of us to which everything is related, by which everything is ordered, and is one source of our energy and power. Virtually every spiritual and religious system asserts the reality of such an inner center.

As a creative process, each Mandala Community Weaving project grows from the spirit of the group that creates it. From the colors of the weaving, to the representations of people, to the shapes of woven areas, to the texture of the weaving, the completed Mandala Community Weaving is a true reflection and celebration of each community.

Weaving is a simple metaphor for community. To build a weaving we bring separate materials together in a patterned structure. One of the advantages of this weaving project is that it can be accomplished by people of all mental or physical abilities and ages. It can be created in one day or worked on over a period of weeks.

Once completed it can be added to again and again. There are subtle variations in color and materials that make each Mandala Community Weaving unique and a reflection of the community

The project is composed of three units.

~~ The mandala circular loom is the base for the project and is made from flexible plastic tubing. This loom is hand-made is woven with strips of fabric or felt for the weft.

Every participant is invited to weave the weft on the circular loom.

The second part of the Mandala Community Weaving Project is the clothespin people. Each person participating in the project is encouraged to create a self portrait of themselves using an old-fashioned wooden clothes pin, assorted fabrics, notions and collage materials.

Each of us is a unique individual.

Our little clothes pin people become a representation of us on the completed Mandala Community Weaving.

Sometimes these little people are more fantasy than reality!

The third part of the Mandala Community Weaving Project is a ribbon that each participant writes their name and a hope or a dream on.

These ribbons are glued to the bottom of the circular loom to create a fringe and a way for each participant to sign the work.

The ribbons with messages of hope and dreams, signed by each participant.

When the weaving is completed these clothes pin people are glued around the edge of the mandala loom to create a ring of people circling the loom.

Assembled together, the Mandala Community Weaving Project is a true reflection and celebration of community spirit.

When the Mandala Community Weaving is completed participants are excited to see themselves within this creative community.

These Mandala Community Weavings have been done with as many as 450 participants and as few as 5.

Each Mandala is beautiful, whole and a true reflection of the community that made it.

Recycled shrimp and fish net, bait bags and rubber fish lures.

21’ by 11’

June - October 2010

Commissioned by the City Of Portsmouth NH. A temporary installation on the Hanover Street parking garage.

A bridge is a connector that joins two physical or figurative entities together. The Memorial Bridge spans the shores between the city of Portsmouth NH and the village of Kittery ME. It links the lives, businesses and culture of both communities.

The Piscataqua River is what divides our two shores and also what unites them. My proposal for Art Speak’s 2010 Over Night Art was founded in the concept that what separates us (the river) is also what brings us together.

This piece celebrates and honors the folks who work in these waters and utilizes materials fundamental to their trade. Gathering fish and shrimp nets from New Hampshire and Maine fishermen, I created an installation for downtown Portsmouth.

Built from these colorful recycled nets (ones that do not meet Federal regulations and are not usable by the industry any longer), this installation was draped down the façade of the Hanover Street parking garage, covering the stairwell window.

“Man did not weave the web of life; he is merely a strand in it. Whatever he does to the web, he does to himself. All things are bound together. All things connect.” (Chief Seattle's Letter to All, 1854)”.

My piece pays tribute to the fact that the Memorial Bridge, web-like in its construction, binds our communities together. By soliciting the help and support of the fishing industry from both shores, I engaged people who might not ordinarily be involved in art. In this fashion, art became a bridge between the people of the Seacoast.

Watching the city maintenance crew install the piece was amazing!

Light filtered through the netting to create shadows as well as blended colors. The work changed as the sun moved over it.

The installation process required that the piece be stretch out along the brick sidewalk.

Installed at Town Dock #1 York, Maine on the Fish Shed.

Installed at Town Dock #1 York, Maine on the Fish Shed.

Installed at Town Dock #1 York, Maine on the Fish Shed.

Thank you letters: An Alphabet of Gratitude is a project that was conceived in a marine supply store which stocks everything from shrimp netting, to rubber lures, bait bags, ropes and all kinds of fishing gear.

These brilliantly colored, plastic flags (lobster buoy markers) caught my eye as a blank canvas, ready for stitching and fabric collage.

Phase one - stitch the 26 letters of the alphabet while meditating on what I am grateful for in my own life. (completed in 2016)

What are you thankful for??

Phase two - take these 26 letters to public places and ask people to spell what they are thankful for, taking photos of all participants. (in process).

Each letter is 7” square

Installation Dimensions - variable

2012 - 14 and on-going

Thank you letters: An Alphabet of Gratitude is a project that was conceived in a marine supply store which stocks everything from shrimp netting, to rubber lures, bait bags, ropes and all kinds of fishing gear.

Letter Z was completed as I was traveling to India for a 8 week pilgrimage. It was fun to travel with this flag, talk about gratitude and document my trip with it.

Letter Z in India with school children.

Letter Z with school girls in Tamil Nadu, India

Letter Z in India with a goat!

The hopes of the future are represented by the upwardly extending branches.

The leaves represent our individual spirits.

Hand-dyed and woven linen, cotton, silk and rayon

84” by 48”

2010

A commissioned piece to honor the life of Kathy Krasker Ramras. Installed at Temple Israel, Portsmouth, NH. Dedicated on July 16, 2010.

The Tree of Life is an ancient symbol present in many cultures and spiritual traditions. In my version I seek to honor life and to illustrate the continuum of the past, present and the future.

The golden vine that weaves up the tree is the Divine love that connects all human beings.

The lessons and wisdom of the past are represented by the deep roots of the tree.

Kathy Krasker Ramras, many times while working on this piece I felt your presence in my studio.

Thread by thread, this artwork is a physical prayer to celebrate and honor your life ~ the past, the present and the future.

Kathy~ daughter, wife, mother, sister, aunt, niece, cousin, friend, you are golden vine of love, the thread of life that weaves through each of us and binds our hearts together.

There are 3,116 buttons in the lower portion of the piece. And 19 buttons in the upper triangle - that are placed to mimic stars in the sky.

After 9/11, I wanted to create “something that stays, while the memories fade.”

The result was “Each One: The Button Project,” an artwork that now stands in City Council Chambers at City Hall, where it was recently reinstalled after being on loan to the September 11th Memorial and Museum in New York City.

This piece is 9’10” tall and 4’4” wide.

On October 15, 2001 I sent an email to friends and colleagues requesting small white buttons for an art project.

Over the next 6 months I received over 8,000 buttons of all colors and sizes!

In November I began to design the piece. I wanted it to be bigger than human scale, I wanted viewers to be forced to look up. I wanted it to be a simple black cloth with white buttons, perhaps to feel like a shroud.

I wove samples, played with a simple grid pattern to help the button sewing to be easier.

I dyed the linen and then set up the loom to weave the fabric.

After the fabric was woven, I invited community members to come to my studio and help me sew on the 3,116 buttons.

The hand-woven fabric has a slight grid which made it easy for anyone to sew on the buttons.

I the original design I created a grid for sewing on 4500 buttons to represent lives lost on 9/11. Fortunately the death count was reduced to just over 3,000. I puzzled over how to accommodate this adjusted count into my design.

I played around with the numbers and layout possibilities. At the suggestion of my husband Ben, I calculated leaving out the appropriate number of buttons in the center.

This change created the Twin Towers. This was a serendipitous design leap that reinforced my belief in trusting the mysterious and often circuitous path of art making.

For ten days over 25 community volunteers came to my studio to sew buttons.

As I struggled to process my own confusion and grief, I discovered I had unknowingly tapped into a common heartache, and much to my surprise helped a larger community process sorrow and loss.

The creation of "Each One: the Button Project, a 9/11 Memorial" was a pathway to heal my own wounds from the events of 9/11/01, but in turn allowed for a larger community to mend and process this tragic incident.

The Button Project was purchased as a gift for the City of Portsmouth NH, where it is on permanent display in City Hall Chambers.

This piece has won several awards and been exhibited at several national locations - most importantly it was on loan to the September 11th Memorial Museum in NYC from 2017-19.

A community art project that explores openness, courage and transformation through investigation, observation, creativity, conversation and reflection.

If we are going to survive as a species, as a planet, we need to find ways to come together peacefully, to listen and to be vulnerable. The WHITE FLAG community art project builds on that concept using the white flag as a platform to explore creative dialogue across divisions of opinion, as a pathway to uncover common threads and as a foundation to forge creative solutions.

The centerpiece of this project -- a WHITE FLAG – has been recognized for centuries as a symbol not only for surrender but also a wish for peace, the willingness to have a civil conversation and to thoughtfully listen. Partnering with local institutions such as a town library The WHITE FLAG project will collect used clean, recycled white cloth from bedding or clothing. Local volunteers will cut this cloth into strips about 2” wide by at least 24” long. These white cloth strips along with slips of white paper, will be used to write and draw upon – responding to WHITE FLAG prompts, questions and suggestions. Such as:

How do you make friends with someone who is different than you? Why might it be important to do this?

What or who might you want to make peace with?

How do you make peace?

What brings a community together?

What do you and your neighbors share?

What or who do you love?

What do you think makes good conversation?

How do you open the door to a conversation with someone who you have disagreements with? Why might it be important to have a conversation with that someone?

What’s at stake? What do you risk by opening this door?

What do you hope that a WHITE FLAG might achieve?

Can a WHITE FLAG symbolize something other than surrender? Can it symbolize strength? Or perhaps a first step towards good will? Not necessarily an act of weakness but strength?

How can conversations help bridge the gap of differing opinions and beliefs? How will you start that conversation?

Tell me a story about your childhood.

How do you open the door to a conversation with someone who you have disagreements with? Why might it be important to have a conversation with that someone?

Can a WHITE FLAG symbolize something other than surrender? Can it symbolize strength? Or perhaps a first step towards good will? Not necessarily an act of weakness but strength?

How can conversations help bridge the gap of differing opinions and beliefs? How will you start that conversation?

Participants will be invited to write and draw upon small white survey flags to take home. These flags can be available at the library site to write on/decorate – and used as an outdoor installation (on the library lawn). These small survey flags are inexpensive and so participants can take several home to fly in their own yard – to indicate they are open to a respectful conversation, that their home is a place where people speak and listen, forging new connections, moving relationships towards healing.

The project can be promoted by simply installing several white flags around town – flags that are a banner with project description and where/how to participate. Using easily identifiable language/text and imagery, these flags can be both large or small -- to be displayed a variety of places (local store/post office bulletin board, library entryway, etc)

My hope is to see hundreds of WHITE FLAGS (large woven ones and small survey ones) flying in front yards, along the road, in gardens and on porches, with messages of peace, healthy communication - highlighting our common threads and shared vision.

Through curiosity, action, listening, observation, responding and reflection the WHITE FLAG project aspires to transcend conflict and transform communities.

26 recycled T-shirts with the alphabet sewn onto them - an installation fo the Children’s Museum of NH in Dover. 2014

Working soon this installion in my driveway.

26 recycled T-shirts with the alphabet sewn onto them - an installation fo the Children’s Museum of NH in Dover. 2014

26 recycled T-shirts with the alphabet sewn onto them - an installation fo the Children’s Museum of NH in Dover. 2014

26 recycled T-shirts with the alphabet sewn onto them - an installation fo the Children’s Museum of NH in Dover. 2014

Temporarily hanging in my head to test it out.

26 recycled T-shirts with the alphabet sewn onto them - an installation fo the Children’s Museum of NH in Dover. 2014

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.

In the winter of 2014 I tag teamed with two other artists to create a round robin series of art works. We each had a day to build upon the previous artist’s installation Then our piece was up for about week. This went on for about a month in an empty store front window in Portsmouth NH during the winter of 2014. We each had three turns to crate a window display.